IN COLORS PROJECT | HOME
With HOME, the theme of the 2nd edition of IN COLORS PROJECT, we set photographers from all over the world a challenge made of delicate matter. We wanted everything from photography - the artistic and emotional act, the conscious and political act, light and shadow. The result is an exhibition that manifests multiple realities in the same blood.
In 74 photographs, 32 authors from 14 nationalities give us the most poignant portrait of what we are, what we do and what we are failing at. Because HOME has smiles and exposed wounds. It shows a sense of belonging and an absurd lack of ground.
It is the human cloak of a thousand patches to which we all belong.
This is our Home. And we can't close our eyes.
IN COLORS PROJECT - an initiative without borders by Lumicroma - reclaims the relevance of photography as a socio-cultural record and artistic intervention. Through the convergence of experiences, aesthetics and visions, it aims to trace, every year, the big picture of the times in which we live.

Far From Home
Kushtia, Bangladesh, 2023
Md. Saiful Islam Khan | Bangladesh

A rural bride and her thousand dreams
Sherpur, Bangladesh, 2021
Jahid Apu | Bangladesh

Sweet home
Kolkata, India, 2023
Rajesh Dhar | India

Longwa
Longwa, Índia, 2009
Mark Levitin | Israel

Creating the future
Sylhet, Bangladesh, 2016
Shahriar Farzana | Bangladesh

The rice terraces were created and maintained for centuries thanks to the hard work of the local people and were and still are their home.
Honghe rice terraces - home of Hani people
Yunnan, China, 2019
Ivanka Vi | Bulgaria

I captured this beautiful scene in a house in Ambrolauri, Racha region. Although I exchanged very few words with her, this lady felt compelled to invite me in, fry some cornbread (mchadi) while her family was busy finding bottles of wine in their cellar to offer them as a gift. Hospitality comes in many shapes in Georgia, but I rate Racha as one of the top places where people will treat travelers like their own kin.
Georgian Hospitality
Ambrolauri, Racha, Georgia, 2019
João Sousa | Portugal

Lane Number Ten
Dhaka, Bangladesh, 2021
Md. Saiful Islam Khan | Bangladesh

The vertical and horizontal alignment of the building form a visual ensemble of great impact.
Bairro da Bouça
Porto, Portugal, 2021
Nuno Pestana Vasconcelos | Portugal

Old street games
Turkey, 2017
Musa Talasli | Turkey

The last place of refuge.
Kurigram, Bangladesh, 2022
Muhammad Amdad Hossain | Bangladesh

Closer to heaven
Tigray, Ethiopia , 2019
Mauro De Bettio | Italy

Nomadic clife 2
Turkey, 2019
Musa Talasli | Turkey

A Peaceful Home
Satkhira, Bangladesh, 2021
Md. Saiful Islam Khan | Bangladesh

Childhood 1
West Bengal, India, 2022
Shubhabrata Bose | India

In Australia in 2020, about 1000,000,000 (one billion) wild and domestic animals were killed by wildfires. Biodiversity is being lost worldwide and over 4,400 terrestrial and freshwater species have been threatened in recent years. The effect of the fires affects the Arctic, increasing the melting of ice, and during combustion, carbon dioxide is released into the atmosphere - causing a greenhouse effect and climate change.
After the Fires - Mountain Goat and Feral Dog
Mari El, Russia, 2023
Yuri Pritisk | Russia

Helping grandmother
Uzbekistan, 2023
Ivanka Vi | Bulgaria

Homebound Souls
Dhaka, Bangladesh, 2020
Md. Saiful Islam Khan | Bangladesh

Dark Beirut
Beirut, Lebanon, 2021
João Sousa | Portugal

A Gipsy Morning
Kushtia, Bangladesh, 2023
Md. Saiful Islam Khan | Bangladesh

Los pájaros
Córdoba, Argentina, 2010
Candelaria Magliano | Argentina

Rohingya Exodus
Bangladesh, 2017
K M Asad | Bangladesh

Beauty
Bhuj, Gujarat, Índia, 2009
Mark Levitin | Israel

The Palmyra Relic
Baalbeck, Lebanon, 2023
João Sousa | Portugal

As he says, "my dream stopped with the loss of my foot".
The dream of Muhammad.
Idlib, Syria, 2020
Mouneb Taim | Syria

Warm family environment 1
Turkey, 2019
Musa Talasli | Turkey

Happiness without identity of Rohingya children
Kutupalong Camp, Teknaf, Bangladesh, 2020
Ziaul Huque | Bangladesh

Rohingya Exodus
Cox’s Bazar, Bangladesh, 2017
K M Asad | Bangladesh

The environmental impact study concluded that climate change will significantly affect riverbank erosion. On average, the riverbank erosion along the three major rivers in Bangladesh will increase by 13% by 2050 and it will increase by 18% by 2100.
The Crumpled House
Narayanganj, Bangladesh, 2021
Jahid Apu | Bangladesh

Free Riders
Arichpur, Bangladesh, 2017
Mauro De Bettio | Italy

Earthquake Child
Syria, 2023
Saad Alkhabous | Syria

Ramadan meals among the ruins in Idlib, Syria.
Idlib, Syria, 2020
Mouneb Taim | Syria

Life in need
Chittagong, Bangladesh, 2019
Shahriar Farzana | Bangladesh

Inesperado sorriso
Lisboa, Portugal, 2016
Carlos Gaspar Reis | Portugal

The Sleeping Angel
Satkhira, Bangladesh, 2021
Md. Saiful Islam Khan | Bangladesh

Rohingya Exodus
Bangladesh, 2017
K M Asad | Bangladesh

O pensamento é como uma gaivota. Livre a voar.
Porto, Portugal, 2023
José Brito | Portugal

Learning to fly.
Sadarghat, Dhaka, Bangladesh, 2012
Asad Rahman | Bangladesh

Preocupação
Lisboa, 2020
Carlos Gaspar Reis | Portugal

Miserable childhood In the garbage pile.
South Surma, Sylhet, Bangladesh, 2022
Ziaul Huque | Bangladesh

Home is where you live.
Kathmandu, Nepal, 2019
Sirish B C | Nepal

He walked by my side talking non-stop, explaining how beautiful his land is.
He invited me to his house and then to the stable, proudly showing me his cattles and his giant roosters, which he cleaned and brushed for the photo.
Señor Jovino
Asturias, Spain, 2020
Mauro De Bettio | Italy

Children of Shatila
Shatila Camp, Beirut, Lebanon, 2021
João Sousa | Portugal

Life in snow
Turkey, 2019
Musa Talasli | Turkey

Rohingya Exodus
Cox’s Bazar, Bangladesh, 2017
K M Asad | Bangladesh

The folk tune
West Bengal, India, India, 2023
Rajesh Dhar | India

Animal market on Eid-ul-Azha
Kushtia, Bangladesh, 2022
Ananto Biswas Utshow | Bangladesh

Aborrecimento
Lisboa, Portugal, 2017
Carlos Gaspar Reis | Portugal

Density of Lives
Dhaka, Bangladesh, 2020
Md. Saiful Islam Khan | Bangladesh

21:91
Cheboksary, Russia, 2015
Yuri Pritisk | Russia